
My rating: 5 of 5 stars
MD Lachlan is proving to have as deep an imagination as Tolkein showed in Lord of the Rings, with his mind blowing sequel to Wolfsangel with Fenrir.
The sequel may still feature more brotherhoods of Vikings but he has taken the reader into the world of the early medieval French dukes, knights and princesses and most notable of all, monks and prophets. But to add a little to the rabble of viking armies around Paris MD Lachlan introduces some fascinating characters of Munin and Hugnin, a brother and sister who worship the All Father and his madness through some very dark magic.
The over all story is riddled with patches of shadow, twilight, horror and glorious blood but in such a way as to not be overwhelming but always used to make particular characters at particular moments in the plot develope into something the reader never ever expects. And that is the true beauty of this dark tale of mad gods, powerful runes and never ending love - that even though the reader may think they know how things will work out having read Wolfsangel but Lachlan always proves those expectations to be false. The reincarnations of the two brothers, one wolfman, another werewolf are never who you expect them to be and in this one we get the suprise of the original Witch returning in a very unlikely place and it goes even more so for the form Odin chooses to live and die by.
My favourite parts of this new blood fuelled saga has to the scenes where certain character evoke the power of Odin's runes. Lachlan describes them so beautifully I can't help but wonder that the way he describes them is the same magic that flows within his imagination. The way the runes are called upon and used seems so natural it strengthens the readers mind view of the scene. And what makes it even more special is that such runes weren't used in such ways in the first book but in this sequel it seems all aspects of the doomed gods and lovers and the magic that binds them together has increased ten fold with dramatic and stunning effects in the ficitonal world and upon the reader.
And on that note the only thing left to say is that MD Lachlan has succeeded in making a sequel that dwarfs the original, showing the strength of his imagination in more ways than one. And making it a good bet that the third in this series will undoubtedly be fantastic.
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